For those of you who have not read an ‘On Three’ review before: I review books after the 3rd chapter and determine whether I’m going to continue reading or not. Most agents only give a book three chapters (or the first 50 pages) and I find it’s gauge enough to know whether I’m going to enjoy a book or not. Sometimes I’m wrong but hey – what’s life without a little surprise?
Empress of All Seasons:
Fantasy writers, specifically Epic Fantasy writers, love opening a book with a fight scene. It does several things; establishes the main character’s strengths and weaknesses (their agility, their physical and emotional strength, potential superpowers etc.), it throws the audience into the main action – thus encouraging them to read on – and it allows the reader (sometimes) to understand the stakes of the world the character lives in.
But when you’ve read one ‘Opening fight scene’ you’ve – maybe – read them all?
Emiko Jean makes an interesting attempt at this trope as we’re introduced to a Mari, a self-described executioner, who has pitted herself against a Samurai – who mocks her for being a small child. Whilst this creates the aforementioned ‘interest’ with dramatic irony, it has been done before. It’s the opening chapter – we know she’s going to win. The Samurai – for all his great skill – is going to die. So if the opening chapter isn’t going to do anything original with the opening plot, does it do anything for the world-building?
Yes and no.
We’re introduced to Yokai, which are monsters, spirits and supernatural beings from Japanese folklore, first in the prologue of their creation. And then in Mari’s transformation into one. In the second chapter, we’re shown what happens to Yokai in this kingdom. Whilst they’re not executed outright, as the Samurai was, they’re are put to death via one of the seasonal rooms.
Here the stakes are raised, a secondary perspective explains that this is how an Empress will be chosen.
But my main concern is how much is explained to us in this narrative. There’s not a lot of space in these opening chapters for the audience to work things out for themselves. Are hands are held the entire time, which I don’t really enjoy or appreciate. (As someone who reads A LOT of fantasy, I can be a bit particular…) Due to this, the world building feels stunted and inorganic. However, if you enjoyed any of the following:
- Cinder, or the series thereafter.
- Children of Blood and Bone
- Socery of Thorns
Then yeah – give this book a go. At this point in the narrative, I’m HIGHLY sceptical. And possibly a massive bitch. I was just kinda hoping for “more”.